reckless optimism says nastalie
about the forces responsible for shuttering the doors
of an arts organization and gallery
that had been around (and flourishing) for 40some years
_______
sami, nastalie and i sorting through the grey mammoth variety sunflower seeds on a sheet tray at the kitchen table,
first separating seed from chaffe and then
sorting out the seedless casings (crushable between two fingers) from those with the idea of next year’s flowers tucked inside them
_______
the sun that finally comes
after what feels like months but has only been weeks
and how it walks with us
up/down the kale rows for what i’m guessing might be the last harvest
of the season
________
the bright shock of yellow/green
with an occaisonal red/orange flourish
of the silver maple leaves stll attached
to the tree i call my maple
because of how it arcs over the path that leads to the room/cabin i live in
_______
inheritance mahogany says
about his hand on his dad’s heart
as it beat its last and
being in the room that changed/filled
with his huge spirit
and sole talks about the impulse
to throw anything open – a window, a door, to make room
_______
the good that it feels
to look at a hand-carved spoon and know that the light-ish blond with dark swirls and the deep dark wood is black walnut
(something similar to how i said the other day the thing about
the years it can sometimes take
to learn things,
and how sandhill has been
one (of the many) greatest teachers
_______
rhymes with spruce sole says
about mahgany’s given name
and there we sit near the heat of the woodstove at night, the three of us
each knowing what it’s like to name ourselves
_______
a cold that merits double hot water bottles
(one for the foot of the bed and one for place my core will be once i tuck my body between the sheets)
in a 35 degree room at night